You can structure your catalog by titles, collections, companies, rights holders, versions or use cases. The goal is to maintain a clear overview of your works while making it easy to search, update and share information.

Master Hub can centralize editorial, technical and contractual metadata: title, year, rights holders, versions, formats, subtitles, languages, duration, status and other information useful for catalog management.

Yes. The platform can group multiple versions under a single title—for example theatrical, TV, export, platform or festival versions. This keeps a unified view of the film and all its deliverables.

Search relies on filters and search fields to find a film by title, keyword, version, format or other metadata. This simplifies navigation in a large catalog.

Viewing is designed to deliver playback suited to professional use, with sufficient quality for validation, review and collaboration. The exact quality depends on the source file and the usage context.

Yes. Online playback is designed to work on major devices, making it easy for internal teams and external partners to provide feedback regardless of their work environment.

Yes, a watermark can be applied to limit unauthorized distribution and identify the source of a viewing session. This is particularly useful for screeners and sensitive exchanges.

Yes. Commenting and annotation tools facilitate collaboration around a work-in-progress version, an internal approval or a review with an external partner.

Yes. The platform can serve as a checkpoint to approve a version, centralize feedback and reduce scattered email exchanges. This speeds up approval cycles.

Yes. Subtitles can be integrated according to project requirements, making it easier to review multilingual versions or versions intended for different markets.

Yes. You can set an availability window for a screener or work-in-progress version to maintain control over access and prevent a link from staying open too long.

Yes. Access and viewing tracking shows which users opened a link, when they viewed it and in what context—useful for commercial oversight and security.

Yes. A professional-grade player lets you skip forward, go back, resume playback and move through a video quickly—saving time during validations.

You can generate a sharing link or invite targeted contacts to give them access to a film, a version or a selection of titles. Sharing remains controlled and traceable.

Yes. Access can be restricted to designated recipients to avoid uncontrolled sharing. This is essential for screeners, markets and sensitive deliveries.

Yes. You can set a limited lifespan for a link so that it stops being accessible after a given date or period. This strengthens control over your content.

You can track opens, views and usage associated with a link to gain better visibility into recipient engagement and the effectiveness of your outreach.

Yes. Master Hub can be used to share technical elements or deliverables with production, lab or broadcast partners while keeping access under control.

Yes. You can attach subtitle files to your videos to offer multilingual or accessible viewing, for screeners as well as work-in-progress versions shared with partners.

Yes. Master Hub can serve as a subtitle review and correction tool. You can share a file with an external translator, retrieve the corrected version and attach it to the right film or version.

Yes. A single title can have multiple subtitle files, by language or version, to prepare different markets or facilitate validation with international teams.

Yes. You can use the platform as a drop-off point to centralize subtitles delivered by your partners, then attach them to the right title and version in your catalog.

Yes. Comments help gather feedback on a version, screener or master, keeping a clear history of exchanges and decisions throughout a project's life cycle.

Yes. You can create drop-off links so partners can send you files without needing a full account, while you retain control over what is received.

A drop-off link is used to receive files from your partners into your space. A submission link is mainly used for festivals, film calls or committees that need to view or approve a project.

Yes. Drop-off links are designed to simplify exchanges by letting a lab, service provider or festival send you files through a dedicated interface, without complex account management.

You can initiate a master request from a title or project record, specify the requirement and track production or delivery progress until the asset is available in your catalog.

Yes. Request status (in progress, delivered, verified) can be tracked to maintain a clear view of expected masters, upcoming deliveries and assets already available in your space.

Yes. The platform can serve as a starting point to formalize a PAD request, centralize the required elements and retrieve the deliverable once creation is complete, in coordination with your service providers.

Yes. Master Hub can become the single repository to store and organize PADs from different labs, avoiding file dispersion and keeping a record of delivered versions.

Yes. Master Hub can be used as an entry point to prepare DCP creation from a master available in your interface, in coordination with your service providers or lab.

Yes. Depending on your organization, the platform can be used to receive, catalog and share DCPs associated with your titles, complementing your distribution and exhibition workflows.

Yes. The platform can help you verify master content through automated or operator-led QC checks. Control reports are attached directly to the film and can be shared with your contacts.

Yes. Master Hub can serve as a receipt and management hub for files from digitization or restoration services, integrating them directly into your catalog and workflows.

Master Hub serves as the management, sharing and preservation layer that complements your lab, PAD creation, DCP and digitization services—delivering an end-to-end chain.

Operational storage supports daily exchanges and rapid validations. Long-term archiving aims at durable preservation of masters, with a focus on longevity, traceability and future retrieval.

Yes. The platform can be used to preserve digital masters for long-term archiving, with processes adapted to the needs of cinema, television and heritage works.

Depending on the workflow, preservation can cover master formats and production elements such as DCDM, IMF, DSM, ProRes, DPX, EXR, audio and subtitles.

Duration depends on the contract, storage volume and preservation requirements associated with the project. The goal is to ensure long-term availability suited to the life cycle of the works.

Preservation must anticipate the evolution of formats and media. Master Hub follows a strategy of controlled preservation and migration to reduce obsolescence risk.

Yes. Project elements can be preserved in a structured way to make it easier to locate components of a work and facilitate potential restoration or reuse.

Masters are hosted on an architecture designed for security, availability and redundancy. The exact setup depends on the contract and the service level chosen.

Retrieval can be done directly online or according to the terms defined in the contract, whether for internal reuse, delivery to a partner or full restitution of data.

Yes. Archiving can be designed to meet preservation requirements in the cinema ecosystem, particularly for rights holders, producers and exhibitors who need clear traceability. We apply the CST RT-043 recommendation required by the CNC when contracts call for it.

Volume depends on the number of titles, versions, formats and file sizes. It serves as the basis for sizing storage, costs and archiving options.

Yes, depending on the contractual framework, a certificate or proof of preservation can be provided to document the stewardship of a master or a body of works.

Yes. The platform can fit into a hybrid strategy where digital archiving complements an existing physical collection, modernizing usage without replacing what is already in place.

Access must be protected by appropriate mechanisms such as individual credentials, password policies and, where needed, strengthened authentication. The goal is to limit unauthorized use.

You can assign different rights by profile: administration, viewing, sharing, validation or technical management. This gives precise control over what each user can do.

Personal data management must comply with GDPR, particularly for contacts, users and sharing recipients. Compliance depends on configuration, data processing and the contractual framework.

Encryption is an essential security measure to protect content during storage and transfer. It may be part of the measures in place depending on the service level selected.

Yes. Permissions can be applied at title, collection, folder or content-type level to maintain fine-grained control over internal and external distribution.

Backups and redundancy reduce the risk of data loss and improve file availability. The exact setup depends on the deployed architecture and the associated contract.

Contract termination must provide for restitution or deletion of data under agreed terms. It is important to define reversibility and exit procedures upfront.

Support timelines and channels vary according to the plan subscribed. You can generally receive assistance by email, phone or through a dedicated channel for incidents and help requests.

Yes. Onboarding facilitates platform adoption and helps define usage, roles, sharing steps and preservation best practices from the outset.

Billing depends on storage volume, features and service level. The subscription can evolve with your catalog, sharing needs and preservation usage.

Yes, depending on the context and project requirements, the relationship can be governed by an appropriate agreement and, if necessary, a formal service-level commitment.